MyLanViewer Enterprise 6.7.8 Multilingual

MyLanViewer Enterprise 6.7.8 Multilingual

MyLanViewer Enterprise 6.7.8 Multilingual | 9.68 MB

MyLanViewer Network/IP Scanner is a powerful Netbios and LAN/Network IP address scanner for Windows, whois and traceroute tool, remote shutdown and Wake On LAN (WOL) manager, wireless network scanner and monitor. This application will help you find all IP addresses, MAC addresses and shared folders of computers on your wired or wireless (Wi-Fi) network.

The program scans network and displays your network computers in an easy to read, buddy-list style window that provides the computer name, IP address, MAC address, NIC vendor, OS version, logged users, shared folders and other technical details for each computer. MyLanViewer Network/IP Scanner supports remote shutdown, wake-on-lan, lock workstation, log off, sleep, hibernate, reboot and power off. It is able to monitor IP address and show notifications when the states of some computers change.

MyLanViewer Network/IP Scanner can also view and access shared folders, terminate user sessions, disable shared folders, show netstat information and detect rogue DHCP servers. The software can monitor all devices (even hidden) on your subnet, and show notifications when the new devices will be found (for example, to know who is connected to your WiFi router or wireless network). The program easy to install and use, and has a user-friendly and beautiful interface

System requirements:
Windows 2000, XP, 2003, Vista, 7, 2008, 8, 10. 32-bit or 64-bit. Net Framework is not required.

Home Page – http://www.mylanviewer.com/


rar | 9.68 MB

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Waldorf Nave Plugin 1.1.9

Waldorf Nave Plugin 1.1.9

Waldorf Nave Plugin 1.1.9 | 95.65 MB

The award-winning Nave has succeeded in changing perceptions of what a serious iOS instrument can be, thanks to unique sounds simply unachievable with any other synthesizer. We have often been asked when Nave would be available on other platforms. This new Nave brings that notable Nave sound engine to your favorite DAW.

Designers have optimized its spectacular graphical user interface to work with the tried-and-tested computer combo of keyboard and mouse (or track pad) rather than touch screen surface technology, yet nothing has been lost in translation. The featured-packed Nave comes pre-packed with superb sounds, ranging from spatial pads to vivid wavetable scans and cutting leads to solid basses, but, above and beyond that, also an abundance of incredibly imaginative sound worlds – many of them professionally produced by some of the top sound designers around.

As a synthesizer thoroughbred at heart, Nave really represents a phenomenal playground for sound creation creativity. Its oscillators offer expanded wavetable functionality with elaborate editing facilities and an extremely effective speech synthesizer.

Anyone at all familiar with Waldorf software instruments will immediately feel right at home with the typical Waldorf workflow where sound shaping modules are always directly accessible and all Arpeggiator, Envelopes, Effects, and Modulation Matrix management controls are only one push of a virtual button away.

Nave compliments its standard yet classy chromatic keyboard with groundbreaking blades and pads to control the sound in different ways.

Features:
Two independent advanced wavetable oscillators
Osc module with (up to) 8-oscillator Überwave with saw, triangle, PWM, white and pink noise
Two ring modulators
Multimode filter with LP/BP/HP, 12dB and 24dB
3 envelopes, 2 LFOs
10 Modulation Matrix entries
Drive with adjustable curve, depth, and position
Modulation effect with either Chorus, Flanger or Phaser
Reverb, Modulation Delay
Three-Band Parametric Equalizer, Compressor
Blades with musical scales and optional chord mode
Polyphonic Aftertouch
Up to 3 X/Y control pads
Arpeggiator
Polyphonic unison
Speech synthesizer for wavetables, 3D wavetable editing
Generation of wavetables from external audio files
Patch management with user banks and patch categories
Sound Patches can be exchanged with Nave iPad version
Supporting 32bit & 64bit VST, VST3 and AudioUnit hosts
Supporting ProTools 11 with AAX64 native
32 Voices

Home Page – https://waldorfmusic.com/nave-plugin-en/


rar | 95.65 MB

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Wondershare PDFelement Pro 12.1.11 (OCR) macOS

Wondershare PDFelement Pro 12.1.11 (OCR) macOS

Wondershare PDFelement Pro 12.1.11 (OCR) macOS | 827.12 MB

Wondershare PDFelement Pro 12.1.11 (OCR) Multilingual | macOS | 827 mb
PDFelement – The easiest way to create, edit, convert, and sign PDF documents. We’re now introducing the all-new PDFelement , which includes a redesigned UI, more advanced writing tools, improved team collaboration features, more powerful conversion tools, a user management console, and more.

*** PDFelement Pro ***

√ Includes all features in PDFelement Standard
√ OCR (Exclusive in Pro version)
– OCR (Optical Character Recognition)enables you to edit and convert characters in scanned PDF files or pictures
– Supports recognition of 29 languages

√ Create & Sign Forms (Exclusive in Pro version)
– Create fillable PDF Forms from interactive field objects, such as buttons, check boxes, radio buttons, list boxes, and drop-down lists
– Support adding digital signatures to forms

√ Merge PDF (Exclusive in Pro version)
– Combine different format files into a new PDF

√ Convert PDF (Exclusive in Pro version)
– Supports converting PDF file to a greater number of output formats like EPUB, HTML, Text, RTF

√ PDF/A (Exclusive in Pro version)
– Support PDF/A as an available output format with ISO Standard for long term archiving

√ Batch Processing of PDF Files (Exclusive in Pro version)
– Process PDFs in batches
– Add backgrounds, watermarks, headers and footers in batches

√ Bates Numbering (Exclusive in Pro version)
– Apply Bates Numbering with advanced formatting

√ Redact PDF (Exclusive in Pro version)
– Redact sensitive text and images in PDFs

Compatibility: macOS 11.0 or later


dmg | 827.12 MB

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Waldorf Blofeld Plugin 1.2.0

Waldorf Blofeld Plugin 1.2.0

Waldorf Blofeld Plugin 1.2.0 | 45.94 MB

The versatile Waldorf synthesizer classic Blofeld now also available as a plugin for your DAW.

With the Blofeld plugin you can also control your hardware and it is compatible with existing Blofeld soundsets.

The sound generation of the Blofeld plugin delivers the typical fat and rich Waldorf sound character that so many Waldorf users worldwide love when they are playing their Blofeld, Q, Q+, Microwave, Microwave II/XT or even the flagship, the Wave. The secret of its sound is a powerful wavetable engine that enables these intense and expressive sounds.

This unique synthesis system is based on the revolutionary PPG synthesizers of the early 80s. When you hear the Blofeld for the first time, you’ll immediately remember those edgy, assertive or bell-like timbres that have been an integral part of countless worldwide hits since the PPG era.

Home Pagehttps://waldorfmusic.com/blofeld-plugin/


rar | 45.94 MB

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Waldorf PPG Wave 3 V v2.0.1

Waldorf PPG Wave 3 V v2.0.1

Waldorf PPG Wave 3 V v2.0.1 | 65.93 MB

Waldorf PPG Wave 3.V is the reincarnation of the legendary PPG Wave Synthesizer, which no doubt is considered one of the most respected high-end synthesizers of the 80s. Developed by Wolfgang Palm, this instrument is featured on countless records, and it inspired a whole generation of producers, composers and listeners. While back then it was your choice to spent your money either for a vehicle or the PPG, the new PPG Wave 3.V renders this breathtaking sonic character very affordable, comfortably to use for every VST or AU Host.

PPG Wave 2 was the very first digital Wavetable synthesizer with analog filters that allowed completely new worlds of sound and endless sonic possibilities. Shortly afterwards, the successor PPG Wave 2.2 came out and was born to make history. With a gigantic arsenal of waveshapes, it could not only reproduce known analog sounds, but also brilliant choirs, bells and whistles. The digital sounds of wavetables had been unheard until then and offered sensational sonic evolutions by smoothly going through 64 waves back and forth.

But the technical possibilities also produced harsh artifacts such as aliasing and others, which could not be omitted back then. Today, although technology is some steps further, Waldorf engineers even managed to get the harshness back in order to recreate the character of the beast.

Wolfgang Palm, the inventor of Wavetable Synthesis, assisted during the development process in order to recreate the PPG as close as possible. “We are very thankful for Wolfgang’s very informative advice and insight during development.” Says Waldorf developer Stefan Stenzel.

The combination of digital waveshapes and analog filters of the PPG was responsible for an unparalleled fat and thrust boosting character. This has been very accurately recreated in PPG 3.v up to the smallest resolution of detail. With PPG 3.V, it is actually possible to switch between several version of the original. Besides PPG Wave 2.2 and PPG Wave 2.3, PPG Wave 2.V and their subtle differences in aliasing and other sources of harshness are adjustable.

Waldorf PPG Wave 3.V is capable of delivering up to 256 voices of polyphony, depending on the host computer. Each voice offers two Wavetable oscillators with optional sample playback with either 8, 12, or 32 bits of resolution. Samples can easily be loaded by Drag & Drop. An 8 part multimode allows multisamples to be used with the same charme and ease of use that the original offered.

Sound is further shaped by a selectable 12 or 24 dB lowpass filter, which is an authentic recreation of the classic PPG Wave 2.2/2.3 Filter, followed by an optional overdrive for extra fuzz. Besides the LFO, three envelope generators serve as modulation sources, either for the original rude or the contemporary smooth modulation.

Up to eight parts can be arranged in poly, dual, quad and mono unison modes, with separate semitone adjustments for automatic chords or melodies. Thanks to the multimode with eight stereo outputs, the instrument is well suited for both studio environment or live on stage.

The Arpeggiator offers up and down modes, besides this an alternate mode and with “cascade mode” a true PPG specialty. For further refinement, several effects are available simultaneously, among these a 4-band equalizer, several overdrive modes, a phaser with up to 12 stages and a chorus with up to six taps. Flanger, stereo delay and reverb are also available.

The original PPG featured a unique user-interface, the “Analog Control Panel” offered direct access to many parameters, while digital menus were edited with somewhat cryptic acronyms that you had to look up in the manual in your lap.

PPG Wave 3.V features the very same concept, with the slight enhancement of comprehensible parameter names and values. Almost all parameters can be subjected to host automation and convenient MIDI regulation by assigned control numbers. This makes it very easy to integrate PPG Wave 3.V into any existing production environment.

General
Up to 256 voices per instance (depending on available CPU power)
8 part Multimode
8 Stereo Outputs
Host automation of most parameters
MIDI Controller automation of most parameters
More than 100 new Wavetables created by Wolfgang Palm
Original Waveterm B Factory Sample Library
Original PPG Wave Factory Sounds

Per Voice
2 Wavetable Oscillators
Sample Playback with 8 bit, 12 bit or up to 32 bit
Authentic Aliasing Emulation of the PPG Wave 2.2/2.3/2.V or no aliasing
12dB / 24 dB Low Pass Filter
Authentic Filter Emulation of the PPG Wave 2.2/2.3
Overdrive behind Filter
1 LFO
3 Envelopes
Authentic Emulation of the modulation graininess (switchable with True PPG)

Per Part (up to 8 parts available)
Poly, Dual, Quad and Mono (8 voices) mode with 8 different semitone offsets to create chords or melodic lines
Arpeggiator with Up, Down, Alternate and Cascade (PPG special) mode
True PPG Mode switchable between PPG Wave 2.2, Wave 2.3 and Wave 2.V
4-Band EQ
Overdrive with various types
Phaser with up to 12 stages
Chorus with up to 6 stages
Flanger
Stereo Delay
Reverb

Other Features
Sample loading via drag&drop or load file dialog
Multisample playback by using the 8 part Multimode
8 adjustable Cutoff / Resonance deviations to simulate analog inexactness
Finer adjustments of several values in Fine Modulatione mode

Home Pagehttps://waldorfmusic.com/ppg-wave-3-v-en/


rar | 65.93 MB

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Waldorf Attack 3 v3.0.1 macOS

Waldorf Attack 3 v3.0.1 macOS

Waldorf Attack 3 v3.0.1 macOS | 37.36 MB

Attack is back. And it’s more powerful than ever.

We are proud to unveil Attack 3, the next evolution of one of Waldorf Music’s most iconic and longest-running instruments. A true classic reborn, Attack 3 redefines what a modern percussion synthesizer can be.

At its heart lies a mighty analogue-style synthesis engine, delivering 24 individual sounds per kit, with 12 sounds playable polyphonically as pitched instruments. From punchy kicks to melodic percussion, Attack 3 is built for rhythm that moves both bodies and speakers.

Attack 3 captures the unmistakable spirit of legendary 1980s analogue drum machines and the driving electronic club sound of the 1990s – and propels it boldly into today’s productions. It’s a future-ready instrument designed to shape the drum sounds of the next decade.

Home Pagehttps://waldorfmusic.com/attack/


rar | 37.36 MB

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iZotope Tonal Balance Control Pro 3.0.0 (x64)

iZotope Tonal Balance Control Pro 3.0.0 (x64)

iZotope Tonal Balance Control Pro 3.0.0 (x64) | 65.66 MB

Overcome your listening environment and make mixes that translate with Tonal Balance Control 2, a plug-in that helps keep your sound on target in any genre.

Create with confidence
Clearly view the tonal balance of your audio and compare against 12 target curves representing popular music genres. Or, load an audio file to create a custom reference curve.

Fix your mix in one window
Talk to compatible iZotope plug-ins like Relay and adjust your tracks without leaving Tonal Balance Control 2. Open and control EQs from Ozone and Neutron for even more surgical possibilities!

iZotope Relay included
Adjust your tracks’ gain, pan, stereo image, and more with this lightweight mixing tool included with Tonal Balance Control 2. Relay talks to Tonal Balance Control 2 and lets you view the frequencies of any track against your tonal balance target.

Home Pagehttps://www.izotope.com/


rar | 65.66 MB

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Metric Halo Make Believe DBVerb 4.1.0.264

Metric Halo Make Believe DBVerb 4.1.0.264

Metric Halo Make Believe DBVerb 4.1.0.264 | 30.71 MB

The drum reverb you always wish you had.

DBVerb replicates 12 of David’s favorite reverb patches. Implementing his signature workflow for dialing in the perfect reverb by putting 4 different reverbs in parallel, each with a dedicated fader to allow you to quickly blend the contribution of each verb into the overall response.

It is fast and fun to use and allows you to dial in a perfect reverb sound without spending hours scrolling through patches and parameters. It is easy to get a great sound, and virtually impossible to create a bad setting.

World-class Signal Processing and Workflow

12 key reverb patches in 4 engines with a nearly infinite set of combinations

Per-reverb length controls

Per-reverb blending faders

Per-reverb cut and solo controls for audition and automation

Overall Integrated reverb EQ

Overall pre-delay control

Many presets included

Adjustable UI size

MH Preset Manager – Provides cross-platform presets

Home Pagehttps://www.makebelievestudio.com/plugins/db-verb


rar | 30.71 MB

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RTW Continuous Loudness Control Stereo 2.1.3

RTW Continuous Loudness Control Stereo 2.1.3

RTW Continuous Loudness Control Stereo 2.1.3 | 36.4 MB

Continuous Loudness Control Stereo from RTW is a plugin or standalone software for automated adjustment of the loudness of stereo audio files. It is used by home users and professionals alike who want to quickly edit unknown or long audio files in terms of volume, for example in the postproduction of live audio files, DAW audio and broadcast preparation for TV and radio. It differs from "Continuous Loudness Control" by its limitation to only two channels. Thanks to its design as standalone software instead of just a plug-in, CLC can also be used without a host application, allowing the software to be used in third-party application environments without any additional DAW software.

RTW Continuous Loudness Control Stereo Overview:

Live Audio Mode, DAW Audio Mode and Audio File Mode in Stereo Applications
Batch Processing
Enhanced audio format support (e.g. MXF)
Loudness according to all worldwide standards
Adjustable target value for loudness and loudness range (LRA)
Adjustable TP limiter
Adjustable Mmax and Smax upper limits
Expert mode for processing exceptional audio files
Optimized presets for e.g. audio streaming
Graphical routing overview with signal presence and activity indicator
Loudness reports (Java Runtime Environment required)
Short latency dynamic algorithm
"Adaptive Morphing Technology
Can be used as stand-alone software or DAW software plug-in

Home Pagehttps://www.rtw.com/


rar | 36.4 MB

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Metric Halo Make Believe CGII 4.1.0.264

Metric Halo Make Believe CGII 4.1.0.264

Metric Halo Make Believe CGII 4.1.0.264 | 22.4 MB

With great power comes great responsibility.

Make it Good & Loud
Use CGII to make your masters loud without losing the clarity, density and heft of the original mix. Even if you are working with a mix that is already loud, you can give it a little extra, without adding unpleasant distortion and without flattening out the material and sucking the life out of the low end. At the same time you can control the true-peak level of the program to ensure that there are no inter-sample overs.

We’ve also included dither, a DC-block filter and complete LUFS/True Peak metering so that you can place CGII at the end of your master chain as a one-stop shop for final processing.

While CGII’s original spec was to make things good & loud simultaneously, you will find that it is wonderful in a variety places in your mixing and processing chain.

Use the Loudness processor to excite harmonics. Use the Density processor to bring up the bloom and raise low-level clarity without affecting transients. Or simply put the incredibly transparent true-peak lookahead limit any place you need it.

Home Pagehttps://www.makebelievestudio.com/plugins/cgii


rar | 22.4 MB

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Metric Halo MELD 4.1.0.264

Metric Halo MELD 4.1.0.264

Metric Halo MELD 4.1.0.264 | 35.35 MB

For three decades, John Hanes has been an instrumental force in shaping the sound of modern music from the helm of the world-renowned MixStar Studios. Through our landmark collaboration, MELD now provides unprecedented access to his expertise.

We worked directly with John to deconstruct and meticulously model the modern and cutting-edge immersive workflows he has perfected at the industry’s highest level.

MELD is more than a product; it’s a direct line to a master’s process.

MELD provides a comprehensive signal chain for your ATMOS and stereo mix processing:

12-band fully parametric EQ with Analyzer
Compressor
Limiter
Loudness/Clipping processor
MixHead tape saturation processor
All of the process blocks are dynamically reorderable and groupable across any number of instances.
MELD is the answer to the problem of building a cohesive music mix in ATMOS. It was created to solve the key issue that John Hanes was encountering while building immersive ATMOS mixes to match stereo mix masters.

Home Pagehttps://mhsecure.com/products/software/MELD.html


rar | 35.35 MB

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RTW Continuous Loudness Control 2.1.3

RTW Continuous Loudness Control 2.1.3

RTW Continuous Loudness Control 2.1.3 | 36.43 MB

Continuous Loudness Control from RTW is a plugin or standalone software for automated adjustment of the loudness of audio files. It is used by home users and professionals alike who want to quickly edit unknown or long audio files in terms of volume, for example in the postproduction of live audio files, DAW audio and broadcast preparation for TV and radio. Thanks to its design as standalone software instead of just a plug-in, CLC can also be used without a host application, allowing the software to be used in third-party application environments without any additional DAW software.

Intelligent Algorithms
The special feature of Continuous Loudness Control is the software’s ability to capture the specific dynamic range of the audio file and then immediately anticipate what will happen next. This predictive algorithm with very low latencies is ideal for automatically processing audio files on the basis of a preset loudness value, for example, with or without adjustment of the loudness range (LRA) and according to an adjustable True Peak value.

Automated batch processing
Broadcasters are also considered here. They often receive many different audio files, for example in MXF format, which they have to prepare for transmission. Therefore, Continuous Loudness Control offers a batch processing mode that automatically and unattendedly processes the loudness of the files. Incoming files from various sources are processed according to a preset, e.g. based on a certain genre. In expert mode, the presets can be defined even more precisely using different program types or publication types. In this way, you can accurately comply with global loudness guidelines such as EBU R128, with or without additional DAW software.

Home Pagehttps://www.rtw.com/


rar | 36.43 MB

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